A.I.R. GALLERY - Celebrating 40 years of advocating for women in the visual arts.
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NANCY MORROW
 
"Drop Ceiling,"
Encaustic and Mixed Media on Panel, 2012, 20" x 16"

ARTIST'S STATEMENT

My work explores via parody, the relationship between self identity and culture – questioning through process, imagery and form, the politics of gender and visual representation, as well as my own sense of self. The concept of desire is central to the newest work as seemingly harmless cartoons are juxtaposed with references to sexuality and reproduction, consumption of material goods, the lure of luxury, power and control.

Using the languages of conventional painting, collage and the comic strip, my recent works on paper take a closer look at the roles and conditions of women in this country’s work place. Presenting my findings as a kind of open-ended, disjointed and hopefully humorous narrative, my aim is to take the viewer on a journey, creating a challenging dialogue rather than a straightforward survey, history or moralizing lesson. Lone or cloned figures are transplanted into spaces that suggest various worksites, but are environments too, where nature’s forces seem to abide by different rules. Images combed from satirical interpretations of Freudian psychology, Greek mythology, children’s stories, junk science, popular culture and my own life experience are employed to probe issues of comparable worth, scripted roles, personal power, fears and desire. Unexpected scale and orientation, spatial ambiguity, type of image, media and color (or lack thereof) are all used to evoke a sense of meaning.

I’ve gleamed inspiration from the process of research as well as reports of the U.S. Department of Labor and the U.S. Census Bureau, various archives of working women, The Working Women’s Museum and more. The work will hopefully challenge to the viewer to question their own situations, conditions of women’s lives as related to employment, and the complex relationship between career and self-identity.

 

RESUME


nmorrow@ksu.edu

EDUCATION

University of Washington, M.F.A., 1991
Summer Resident, Skowhegan School of Painting and Sculpture, 1990
University of Washington, BFA, mcl, 1983

GALLERY REPRESENTATION

A.I.R. Gallery, New York, NY, 2005-present

SOLO EXHIBITIONS

2012 A.I.R. Gallery, Brooklyn, NY, (Title and exhibition forthcoming), Oct 3-27
2010 "Parable,” Eastern Washington University Gallery of Art, Cheney, WA
2009 "Drawn Conclusions,” Kansas Wesleyan University Gallery, Salina, KS
2008 “Self-fulfilling Prophecies,” University of Nebraska-Omaha Art Gallery, Omaha, NE
2007 “New Paintings,” Bethany College Gallery, Lindsborg, KS
“Signs of Desire,” A.I.R. Gallery, NYC
“Recent Work,” Harper College, Palatine, IL
2006 “Modern Myths,” Dickinson State University Gallery, Dickinson, ND
2005 “Heartland,” Mallin Gallery, KCAC, Kansas City, MO
1997 “Guaranteed Mileage,” Linda Cannon Gallery, Seattle, WA
1995 “Contemplations,” King County Arts Commission Gallery, Seattle, WA
1994 “Deep Breathing,” A.R.C. Gallery, Chicago, IL

GROUP EXHIBITIONS

2012 "Alice: Into the Looking Glass," The Noyes Museum of Art, Stockton College, Oceanville, NJ, Feb 3 - May 20
2011 “Generations 8,” A.I.R. Gallery, Brooklyn, NY, Dec 1-18
“River Market Regional Exhibition,” KCAC, Mallin/Charno Galleries, Kansas City, MO/curated by Dr. Patricia McDonnell,
Ulrich Museum of Art, Wichita State University, Wichita, KS (catalog)
“Wish You Were Here 10,” A.I.R. Gallery, Brooklyn, NY
“Gender Matters/Matters of Gender,” Freedman Gallery at Albright College, Reading, PA/juror: Judith Tannenbaum, Museum of Art, RISD
“Insatiable: Our Rapacious Appetite For More,” Kniznick Gallery,?Brandeis University, Waltham, MA /juror: Judy Haberl (catalog)
“A Woman’s Work is Never Done,” A.I.R. Gallery/curated by Susanne Altmann (folio)
2010 “River Market Regional Exhibition,” KCAC, Mallin/Charno Galleries, Kansas City, MO/curated by Barbara O'Brien, Kemper Museum of Contemporary Art, Kansas City (catalog)
“Wish You Were Here 9,” A.I.R. Gallery, Brooklyn, NY
“…And Sweeps Me Away”/curated by Barbara O'Brien, Kemper Museum of Contemporary Art (folio)
2009 “Generations VII,” A.I.R. Gallery, Brooklyn, NY
“Self Absorbed,” SPAC Gallery, Seattle Pacific University, Seattle, WA
“Renewal: Art Faculty Biennial Exhibition,” Marianna Beach Art Museum, Kansas State University, Manhattan, KS (catalog)
“River Market Regional Exhibition,” KCAC, Mallin/Charno Galleries, Kansas City, MO/juror: Anthony Huberman, Contemporary Art Museum, St. Louis (catalog)
“Wish You Were Here 8,” A.I.R. Gallery, Brooklyn, NY
“Does Gender Matter? He, She, It: Third Person Singular,” Art Institute of Boston Gallery at Leslie University/curated by Barbara O’Brien, Trustman Art Gallery, Simmons College (folio)
“Contemporary Humanism,” A.I.R. Gallery, Brooklyn, NY/curated by Rocio Aranda-Alvarado, Jersey City Museum (folio)
“Your Documents Please”/Galerie Kurt im Hirsch, Berlin, Germany; Galéria Z, Bratislava, Slovakia; Galería Ajolote Arte Contemporáneo, Guadalajara, Mexico/curated by Daniel Georges, Rumiko Tsuda
2008 “Your Documents Please,” The Museum of Arts & Crafts-ITAMI, Itami-shi Hyogo, Japan; ZAIM, Yokohama, Kanagawa, Japan; 2B Galéria, Budapest, Hungary
“Wish You Were Here 7,” A.I.R. Gallery, NYC
“Generations 6,” A.I.R. Gallery, NYC
“Structured Incidents,” A.I.R. Gallery, NYC/curated by Charlotta Kotik, The Brooklyn Museum (folio)
“Women’s Art NYC History ’08,” The Puck Building, NYC
“Faculty Exhibition,” Kansas State University, Chapman Gallery, Manhattan, KS
2007 “Ad Astra per Aspera,” Shift Space Gallery, Wichita, KS/curated by Royce W. Smith
“Wish You Were Here 6,” A.I.R. Gallery, NYC
“28th Annual Mini-Works on Paper Exhibition,” Hammond Gallery, Jacksonville State University, Jacksonville, AL/juror: Bruce Bo
“Faculty Exhibition,” William T. Kemper Gallery, Kansas State University, Manhattan, KS
“Texas National, 2007,” Stephen F. Austin State University, Nacogdoches, TX/jurors: MANUAL (catalog)
2006 “Painted Tongue: Union of Art & Word,” Union Street Gallery, Chicago Heights, IL/juror: Lanny Silverman, Chicago Department of Cultural Affairs, Chicago Cultural Center
“Made out of the Ordinary,” A.I.R. Gallery, NYC/curated by Leslie Wright, Faulconer Gallery, Grinnell College (catalog)
“MOAK 4 State Regional Exhibition 2006,” Springfield Museum of Art, Springfield, MO/juror: Katy Geha, Ulrich Museum of Art (catalog)
“Kansas State Art Faculty Exhibition,” Martin Museum of Art, Baylor University, Waco, TX, 2006
“A National View at Grandview,” Atlanta Artists Center Gallery, Atlanta, GA/juror: Holly Koons McCullough, Telfair Museum (catalog)
“The Chelsea International Fine Art Competition,” Agora Gallery, NYC/juror: Manon Slome, Chelsea Art Museum
“19th National Juried Art Exhibition,” Mable House Arts Center, Mableton, GA/juror: Marcia Goldenstein (catalog)
“Wish You Were Here 5,” AIR Gallery, NYC
“Visual Work Inspired by Lyrics, Prose or Poetry,” Campbell Hall Gallery, Western Oregon University
“Generations 5,” AIR Gallery, NYC
“9th International Open,” Woman Made Gallery, Chicago, IL/juror: Margaret Hawkins, Chicago Sun-Times
“20th International Juried Show," Visual Arts Center of New Jersey, Summit, NJ/juror: Patterson Sims, Montclair Art Museum (Folio)
“Defining Freedom,” Gallery of Art, Eastern Washington University, Cheney, WA/jurors: Lanny Francis DeVuono, Nancy Hathaway (Folio)
“Clay, Fiber, Paper, Glass, Metal, Wood: 38th Annual Exhibition,” Octagon Center for the Arts, Ames, IA/juror: Peter Pinnell (Folio)
“Berkeley Art Center Members' Annual Exhibition,” Berkeley Art Center, Berkeley, CA
“New Perspectives,” Great Plains Art Museum, University of Nebraska-Lincoln, Lincoln, NE
“Faculty Exhibition,” William T. Kemper Gallery, Kansas State University, Manhattan, KS
2005 “Bodies in Context,” A.I.R. Gallery, NYC
“All Femme,” Strecker-Nelson Gallery, Manhattan, KS
“Work of Art, Art of Work,” Fine Arts Building Gallery, Chicago, IL/jurors: Betty Ann Mocek, John Harmon
“Wish You Were Here 4,” AIR Gallery, NYC
“26th Annual Mini-Works on Paper Exhibition,” Hammond Hall Art Gallery, Jacksonville State University, Jacksonville, AL/juror: Darius Hill
“Selfsame,” A.I.R. Gallery, NYC
“8th International Open,” Woman Made Gallery, Chicago, IL/juror: Lynne Warren, Museum of Contemporary Art, Chicago, IL
“Creating Communities, Creating Change,” Loft Gallery, University of Nebraska-Lincoln/jurors: Mo Neal, Ed Forde
“Faculty Exhibition,” William T. Kemper Gallery, Kansas State University, Manhattan, KS
“Berkeley Art Center Members' Showcase,” Berkeley Art Center, Berkeley, CA
“NWCA Self-Portrait Show,” Hillmer Gallery, College of St. Mary, Omaha, NE
“11th Biennial Oklahoma: Centerfold,” University of Arts and Sciences, Oklahoma Gallery, Chickasha, OK/juror: Kristy Deetz (catalog)
2004 “11th Biennial Oklahoma: Centerfold,” Leslie Powell Foundation and Gallery, Lawton, OK
“Excursions,” Dickinson State University Art Gallery, Dickinson, ND
“A Celebration of Quotable Visual Women Artists,” Museum of Nebraska Art, Kearney, NE; Dawson County Museum, Lexington, NE/curated by Ann Pagel, Lincoln Arts Council, Lincoln, NE
“River Market Regional Exhibition,” KCAC, Mallin/Charno Galleries, Kansas City, MO/juror: Shannon Fitzgerald, Contemporary Art Museum, St. Louis (catalog)
“Louis Copt, Glenda Taylor, Robert Sudlow, Linda Ganstrom, Sheryl Pierson, Rebecca Hoyer, Nancy Morrow,” Strecker-Nelson Gallery, Manhattan, KS, Strecker-Nelson Gallery, Manhattan, KS
“POP Group Exhibition,” Woman Made Gallery, Chicago, IL/jurors: Myra Casi, Meg Sheehy, Zg Gallery, Chicago
“WCA Midwest Regional Show,” ARC Gallery, Chicago, IL/jurors: Margaret Hawkins, Chicago Sun-Times, Carrie Secrist, Janet Bloch
“Boise State Women's Center Annual National Juried Art Exhibition,” BSU Student Union Gallery/jurors: Kathleen Keys, Gallery, BSU Visual Arts Center, Kimiko Miyoshi, Maria Carmen, Idaho Commission on the Arts
2003 “Faculty Exhibition,” William T. Kemper Gallery, Kansas State University, Manhattan, KS
“Small Matters of Great Importance,” Hopper House Art Center/The Edward Hopper Landmark Preservation Foundation, Nyack, NY/juror: Louise Weinberg
“Flowing with the Current: Selected Works,” Women's Studies Reading Room, University of Nebraska-Lincoln
“The Artful Woman,” The Banana Factory, Bethlehem, PA (juror: Jeffrey Wechsler, Jane Voorhees Zimmerli Art Museum, Rutgers, SUNJ (catalog)
“Dimensions 2003,” AAWS and Milton Rhodes Galleries, Winston-Salem, NC/juror: Stephen Phillips, Phillips Collection, Washington, DC (catalog)
“6th National Juried Show,” Gallery West, Alexandria, VA/juror: Joann Moser, Smithsonian American Art Museum in Washington, DC
“Contemplating Identity” (Three-person), Paul Whitney Larson Gallery, University of Minnesota-St. Paul
2002 “Brand 32, Thirty-Second Annual National Juried Works on Paper Exhibition,” Brand Library Art Gallery, Glendale, CA/juror: Nancy Moure (catalog)
“Flowing with the Current: Selected Works,” NWCA Group Exhibition, Louisville Art Gallery, Louisville, NE
“Artisans 2002 National Juried Exhibition,” Artisans Gallery, Mill Valley, CA/juror: John Killacky, Yerba Buena Center for the Arts, San Francisco, CA
“Faculty Exhibition,” William T. Kemper Gallery, Kansas State University, Manhattan, KS
“The Figure,” Art Space Gallery, Bellevue Community College, Bellevue, WA/curated by Dale Lindman
2001 “National Small Works Exhibition,” Bloomingdale Park District Museum, Bloomingdale, IL/juror: Melissa Ganje, Elmhurst Art Museum, Elmhurst, IL
“Northwest Annual at COCA,” Center on Contemporary Art, Seattle, WA/jurior: Michael Sweney, Charles Cowles Gallery, NYC
“Faculty Exhibition,” Art Space Gallery, Bellevue Community College, Bellevue, WA
2000 “Faculty Exhibition,” Highline Community College, Des Moines, WA
1999 “Northwest Annual at COCA,” Center on Contemporary Art, Seattle, WA/juror: Kerry James Marshall
1998 “A Skowhegan Decade,” 1987-1997, David Beizel Gallery, NYC
“Gallery Artists,” Linda Cannon Gallery, Seattle, WA
1997 “Femmes Fatales,” Fisher Gallery, Cornish College of the Arts, Seattle, WA/curated by Susan Olds
1996 “Louise Roach, Nancy Morrow, Jann Nunn” (Three-person), Matrix Gallery, Sacramento, CA
1995 “10th Annual Small Works International,” Amos Eno Gallery, NYC/juror: Beth Venn, Whitney Museum of American Art, NYC
“Matrix International 1995,” Matrix Gallery, Sacramento, CA/jurors Kim Anno and Leo F. Hobaica, Jr.
“Faculty Exhibition,” Highline Community College, Des Moines, WA
1994 “Kirkland Arts Center Northwest Annual,” Kirkland Arts Center, Kirkland, WA/juror: Peggy Weiss, Seafirst Gallery, Seattle, WA
“U.S. Traveling Fine Arts Exhibition in Hungary,” Gaal Imre Gallery of Pesterzsebeti Muzeum, Budapest, Hungary; Pelikan Gallery, Szekesfehervar, and the Young Artist's Club, Hungary/jurors: Beata Szech, Alan Govenar (catalog)
“4th Annual National Juried Exhibition,” 1708 Gallery, Richmond, VA/juror: Gary Stephan
“North American Works,” Matrix Gallery, Sacramento, CA/jurors: Phil Linhares, Oakland Art Museum, Donna Billick
“XIV Northwest International Art Competition,” Whatcom Museum of History and Art, Bellingham, WA/jurors: Howard Fox, LA County Museum of Art, Barbara Nechis
“Northwest Annual at COCA,” Center on Contemporary Art, Seattle, WA/juror: Joel-Peter Witkin
1993 “Faculty Annual Exhibition,” University of Washington, Jacob Lawrence Gallery, Seattle, WA
“Kirkland Arts Center Northwest Annual,” Kirkland Arts Center, Kirkland, WA/juror: Chris Bruce, Henry Art Gallery, Seattle, WA
“The Success of Failure,” The Pound/Studio 1216, Seattle, WA
1992 “XII Northwest International Art Competition,” Whatcom Museum of History and Art, Bellingham, WA/jurors: Peter Frank, The Village Voice and SoHo News, Rupert Garcia
“Contemporary Artists of the Northwest,” Boise State University, Boise, ID/jurors: Stephanie Wilde, Tom Bray
“Pacific Northwest Annual,” Bellevue Art Museum, Bellevue, WA/jurors: Gregory G. Knight, Chicago Department of Cultural Affairs/Chicago Cultural Center, Joyce Scott
“From Media to Metaphor: Art About AIDS,” Center on Contemporary Art, Seattle, WA/curated by Carl Smool (folio)
1991 “Galleria 99,” Galleria Potatohead, Seattle, WA/curated by Spike Mafford
“M.F.A. Thesis Exhibition,” Henry Art Gallery, Seattle, WA
“M.F.A. Group Exhibition,” East Shore Gallery, Bellevue, WA
1990 “X Annual Northwest International Art Competition,” Whatcom Museum of History and Art, Bellingham, WA/juror: by Norman Lundin
“Northwest Annual at COCA,” Center on Contemporary Art, Seattle, WA (juror: Benny Andrews (Folio)
“Works in Progress: MFA Candidates,” Jacob Lawrence Gallery, University of Washington, Seattle, WA
1988 “Frisco 100,” Alligator: A Gallery and Performance Space, San Francisco, CA/juror: Michael S. Bell
“In-Transit: The Concept of Transport in Art,” Seattle Center, Seattle, WA/curated by Ron Glowen (catalog)
“Allied Arts 1988 Juried Painting Exhibition,” Allied Arts Gallery, Richland, WA/juror: Gaylen Hanson
1987 “Painting/Sculpture ’87,” Tacoma Art Museum, Tacoma, WA/juror: Howard Fox, LA County Museum of Art (folio)
“Washington Women’s Juried Exhibition,” Significant Form Gallery, Seattle, WA/jurors: Layne Goldsmith, Karen Guz, Wanda Westcoast

RESIDENCIES

2004 Jentel Foundation, Artist Residency, Banner, WY
1995 Centrum Foundation, Artist in Residence, Port Townsend, WA
1990 Skowhegan School of Painting and Sculpture, Summer Resident, Skowhegan, ME

GRANTS/FELLOWSHIPS

2011 Kansas State University. Faculty Research Sabbatical
2009 Kansas Arts Commission. KAC Mid-Career Visual Arts Fellowship, Topeka, KS
2008
Kansas State University. Faculty Development Fellowship
Kansas State University. Mark A. Chapman Faculty Research Grant
2007 Kansas State University. Mark A. Chapman Faculty Research Grant
2005 Kansas State University. University Small Research Grant (USRG)
2002 Kansas State University. University Small Research Grant (USRG)
1999
Pacific Lutheran University. NIEA Mini-Grant, Tacoma, WA
1997 Highline Community College. Faculty Development Grant, Des Moines, WA
1995 King County Arts Commission. Gallery Program Grant, Seattle, WA
1991 University of Washington. Maria Wang European Travel Fellowship
1990 Skowhegan School of Painting and Sculpture and the University of Washington. Residency Fellowship

SHOW AWARDS

2006 Purchase Award, “MOAK 4-State Regional Exhibition 2006,” Springfield Art Museum Permanent Collection, Springfield, MO
Cash Award, “MOAK 2006: 4-State Regional Exhibition,” Springfield Art Museum, Springfield, MO
1st Place Award, “A National View at Grandview,” Atlanta Artists Center Gallery, Atlanta, GA
2004 3rd Place Show Award, “11th Biennial Oklahoma: Centerfold,” Leslie Powell Foundation and Gallery, Lawton, OK, and the University of Arts and Sciences, Oklahoma Gallery, Chickasha, OK
2003 Juror's Award for Merit, “Small Matters of Great Importance,” Hopper House Art Center/The Edward Hopper Landmark Preservation Foundation, Nyack, NY
Honorable Mention, “Dimensions 2003,” AAWS and Milton Rhodes Galleries, Winston-Salem, NC
Eva Mason Donor Award, “Brand 32: Thirty-Second Annual National Juried Works on Paper Exhibition,” Brand Library Art Gallery, Glendale, CA
2002 Award of Excellence, “Artisans 2002 National Juried Exhibition,” Artisans Gallery, Mill Valley, CA
2001
Place Award, “National Small Works Exhibition,” Bloomingdale Park
District Museum, Bloomingdale, IL
1994 Best of Show, 2-D Work, “North American Works,” Matrix Gallery, Sacramento, CA
1988 Gold Award, “Allied Arts 1988 Juried Painting Exhibition,” Allied Arts Gallery, Richland, WA
1987 Honorable Mention, “Transcending Confines,” National Exhibition, Matrix Gallery, Sacramento, CAMerit Award, “Painting/Sculpture ‘87,” Tacoma Art Museum, Tacoma, WA

VISITING ARTIST AND PRESENTATIONS

2010 Visiting Artist and Gallery Talk, Eastern Washington University,Cheney, WA
Visiting Artist and Lecture, Montclair State University, Art Forum Lecture Series, Montclair, NJ
2009 “Research and the Creative Process: Cultivating Vision and Studio Art Practice” (with Jason Scuilla). Kansas State University, Beach Museum of Art
Visiting Artist and Gallery Talk, Kansas Wesleyan University, Salina, KS
2008 Visiting Artist and Lecture, University of Nebraska-Omaha, Omaha, NE
Session Leader, CAA Annual Conference, Dallas, TX. Session: “Painting AS Mixed Media? Questions of Language, Materials, Illusion and Unconventional Surface.”
Panelist, “Gendered Identity and Today’s Art by Women,” Ulrich Museum of Art, Wichita State University. Moderated by Jan Schall, The Nelson-Atkins Museum of Art, Kansas City, MO
2007 Visiting Artist, Wichita State University, Wichita, KS
Visiting Artist and Gallery Talk, Bethany College, Lindsborg, KS
Visiting Artist and Lecture, Harper College, Palatine, IL
2006 Presentation. “Pink Tanked or Drunk with Color? In Support of a Multifaceted, Feminist Approach to Chromatic Pleasure.” (Session: “ChromOrgasm: Chromancing the Color Moshpit,” Pete Driessen, Leader), MACAA-SECAC Joint Conference, Vanderbilt University, Nashville, TN
Visiting Artist and Gallery Talk, Dickinson State University, Dickinson, ND
Gallery Talk (with artist, Elizabeth Walker), Salina Art Center, Salina, KS
Visiting Artist and Juror, Wichita State University, Wichita, KS
2003 Presentation. “Politically Incorrect? The Power and Perils of Using Color.” (Session: “Beyond Formalism: Teaching Color as Color.” Barbara Nesin, Leader), FATE/CAA
Artist’s Talk, University of Minnesota, Coffman Theatre, St. Paul Campus, St. Paul, MN/The Visual Arts Committee, The Department of Women's Studies and the Center for Advanced Feminist Studies
Artist's Talk, Visiting Artists Lecture Series, Emporia State University, Emporia, KS
2001 Visiting Artist, Seattle Art Museum, Seattle, WA. Portrait Drawing Demonstration/Performance, in conjunction with John Singer Sargent Exhibition
1998 Guest Lecturer, University of Washington, Advanced Painting Seminar, School of Art, Seattle, WA
1996 Honors Program Colloquia Public Lecture, “Women's Work in Contemporary Art,” Highline Community College, Des Moines, WA
1995 Visiting Artist, Northwest School for Hearing Impaired Children,Seattle, WA
1991-2 Guest Lecturer, Pierce College, Steilacoom, WA
1987-8 Visiting Artist, Northwest School for Hearing Impaired Children,Seattle, WA

PUBLIC COLLECTIONS

Centrum Print Collection, Centrum Foundation, Port Townsend, WA
Dickinson State University Art Gallery, Dickinson, ND
Harper College, Palatine, IL
Springfield Art Museum, Springfield, MO
ARCHIVES
A.I.R. Gallery Archive in The Fales Library and Special Collections at the Elmer Holmes Bobst Library, New York University, NYC
Archive of Women Artists, National Museum of Women in the Arts, Washington, DC

ACADEMIC APPOINTMENTS

2008- present Associate Professor, Kansas State University, Art Department, Manhattan, KS
2002-08 Assistant Professor, Kansas State University, Art Department, Manhattan, KS
2000-02 Adjunct Faculty, Bellevue Community College, Bellevue, WA
1995-02 Adjunct Faculty, Highline Community College, Des Moines, WA
1991-01 Adjunct Faculty, University of Washington, School of Art, Seattle, WA
2001 Instructor, Bellevue Art Museum School, Bellevue, WA
1999 Instructor, School of Visual Concepts, Seattle, WA
1994 Instructor, Pierce College, Tacoma, WA
Instructor, Washington Corrections Center for Women, Tacoma Community College and Washington State Department of Corrections,Gig Harbor, WA
1992 Instructor, University of Washington Extension, Seattle, WA
1991 Instructor, University of Washington Extension, Seattle, WA
1990-91 Graduate Teaching Assistant, University of Washington, School of Art, Seattle, WA

SELECTED PUBLICATIONS

2011 Studio Visit Magazine, v.15-16, Fall 2011 (Ian Berry, Juror). Boston: Open Studios Press
“River Market Regional Exhibition,” FYI/Weekend Preview, The Kansas City Star, Thursday, July 7, 2011, p.27
2010 “Nancy Morrow: Parable,” The Spokesman Review, Thursday, April 8, 2010, p. C1
2009 New American Paintings, v. 84, West Region (Terrie Sultan, Juror). Boston, Open Studios Press
2006 Jerry Cullum. "Diverse Views, From All Over," The Atlanta Journal-Constitution, Sept 24, 2006, "Art & Books Section
2004 Robin Trafton. "River Market Exhibition Finds Common Threads in Diversity of Six-State Region," The Kansas City Star,
Friday, July 30, 2004, p. 30
2001 Regina Hackett. "Warehouse is Going out with Artistic Flair," Seattle Post-Intelligencer, Friday, May 25, p. 22
1997 Farr, Sheila. "Visual Arts," Seattle Weekly, Sept 2
1992 Matthew Kangas. "Art About AIDS: Shock Value," The Seattle Times, Thursday, June 18, Section C, p. 2