Join us at A.I.R. for ART/WRITING, a reading and discussion on Saturday, April 1st at 4pm. Organized by Fellow Elizabeth Hoy, the event will feature writers: Miriam Atkin, Adjua Gargi Nzinga Greaves, and Rachel Levitsky, all of whom touch upon the visual arts in their writing practice.
ART/WRITING is being held in conjunction with Hoy's first solo show in NYC. Why does it end here? is on view at A.I.R. through April 16th. This event is cosponsored by The Felt, a journal of writing and visual art from Pratt Institute.
Miriam Atkin is a writer and performer based in New York City. Her work has been largely concerned with the possibilities of poetry as an oral medium in conversation with avant-garde film, music, and dance. Miriam has contributed essays and reviews to Haunt journal, Art in America, and ArtCritical, and her poetry has appeared in The Recluse, Boog City Reader, and This Image journal. She was a 2014 Emerge-Surface-Be Fellow at the St. Mark’s Poetry Project and is a member of KAF, a performance and publishing collective. Miriam is a PhD candidate in English Literature at CUNY Graduate Center.
Adjua Gargi Nzinga Greaves (New York City, 1980) is an artist chiefly concerned with postcolonial ethnobotany working in the mediums of scholarship, diorama, corporeal wisdom, archival gesture, and language. Greaves has been published in About Place Journal, The Recluse, and The Poetry Project Newsletter. She lives and works in New York City where she is young mother of The Florxal Review—a global journal of postcolonial ethnobotany foregrounding black femme plant life—and where she is completing work on The Bulletin of Wilderness and Academy: an introductory conclusion to unschoolMFA forthcoming from Organic Electric Industries. Galleries of her documentary photography and Afrofuturist dioramas are viewable on Instagram via @TerraBot and @SuperModelStudioPractice respectively.
Rachel Levitsky is the author of several chapbooks and three full length volumes of poetry and prose, Under the Sun (Futurepoem 2003), NEIGHBOR (UDP 2009), and The Story of My Accident is Ours (Futurepoem 2013). In 1999 she started Belladonna Series, salons and readings that featured feminist avant garde writers. In 2009, Belladonna morphed into Belladonna* Collaborative (www.belladonnaseries.org), a multi-headed hydra of which she is one part.