Vanessa Grigoriadis, “Madonna at Sixty: The original queen of pop on aging, inspiration and why she refuses to cede control,” The New York Times Magazine, June 5, 2019,

Jasmine Weber, “Art Movements,” Hyperallergic, May 16, 2019,

Dodie Bellamy, “The Endangered Unruly: Dodie Bellamy on the art of Mary Beth Edelson,” Artforum, May 2019,

Bill Roundy, “Five things to do in Brooklyn, April 12-18,” Brooklyn Paper, April 12, 2019,

Claire Selvin, “New Art Dealers Alliance to Stage ‘NADA House’ on Governors Island During Frieze New York,” ArtNEWS, April 2, 2019,

Margaret Carrigan, “Richard Saltoun will donate a portion of his sales at Independent New York to support the all-female exhibition space A.I.R. Gallery,” The Art Newspaper, March 7 2019,

Kat Griefen, “Considering Mary Beth Edelson’s ‘Some Living American Women Artists’,” Brooklyn Rail, March 7 2019,

Jillian McManemin, “Judith Bernstein’s Archive,” Brooklyn Rail, March 7 2019,

Kathleen Wentrack, “Women’s Art Collectives: Framing the Future,” Brooklyn Rail, March 7 2019,

Noelani Kirschner, “Carrie Johnson: Fragmented Landscapes,” The American Scholar, March 4 2019,

Howard Halle, “The Best Brooklyn Art Galleries,” Time Out New York, January 29 2019,

“Shelley & Donald Rubin Foundation Names 2019 Art and Social Justice Grantees,” Artforum, January 22 2019,

Georgia Graham, “Romily Alice Walden's Art Confronts the Silence Surrounding Ableism,” i-D, January 16, 2019,


Sharon Butler, “Interview with Jane Swavely: Toxic Glow,” Two Coats of Paint, December 1 2018,

Noelani Kirschner, “Jane Swavely: Neon Forests,” The American Scholar, November 19 2018,

Ana Tuazon, “Revisiting a Seminal Exhibition on ‘Third World’ Feminist Art at A.I.R. Gallery,” Hyperallergic, August 30 2018,

Jillian Steinhauer, “Review: A.I.R. Gallery Catches Up on Some Unfinished Business,” The New York Times, August 22 2018,

Jasmin Hernandez, “In Conversation with Aya Rodriguez-Izumi: The Beauty Behind Everyday Practices as Rituals,” Gallery Gurls, May 21, 2018,

Nicholl Paratore, “Visualizing Reproductive Justice Under Trump,” Ms. Magazine, February 13 2018,

Rosa Naparstek, “Exhibit Review/ CURRENTS: Abortion,” Artists Unite, January 31, 2018,


Benjamin Sutton, “Visit Open Studios in a Former Officer’s House on Governors Island,” Hyperallergic, July 26 2017,

Kerry Cardoza, “Photos of the Capitalist Imagery that Overwhelm’s Beirut’s Landscape,” Hyperallergic, May 15 2017,

Les Femmes Folles, “MaryKate Maher, Artist,” Les Femmes Folles, May 5 2017,

Martha Schwendener, “10 Galleries to Visit Now in Brooklyn,” The New York Times, April 27 2017,

Olivia Deng, “Is the Push for Women in STEM Hurting Female Artists?,” The Atlantic, April 14 2017,

Claire McCartney, “Pow ‘er Up! Colorful exhibit reimagines old images,” Brooklyn Paper, March 16 2017,

Zayda Rivera, “5 Artists From Around The Globe Who Wowed Us At The VOLTA NY Art Show,” a plus, March 8 2017,

Sarbani Ghosh, “16 Feminist Art Shows to See In Honor of Women’s History Month,” Artnet News, March 6 2017,

Aline Smithson, “Manal Abu-Shaheen: Beirut,” Lenscratch, February 20 2017,

Emily Colucci, “Avoiding Contemporary Politics at A.I.R. Gallery’s ‘Sinister Feminism’,”ARTFCITY, February 3 2017,

Kathryn Meyers, “Cooperative Consciousness Photo Essay : A.I.R. Gallery at Kochi Biennale 2017,” Bring Home Stories, January 10 2017,