ChairBodies Natalie de Segonzac
GALLERY III
Natalie de Segonzac, Rope (Tethered), 2025 (detail), Archival pigment print, 24 x 30 inches.
October 10–November 8, 2026
Opening reception: Saturday, October 10 from 6-8pm
A.I.R. Gallery is pleased to announce ChairBodies, an exhibition of new photographic works by 2025-2026 A.I.R. Fellow Natalie de Segonzac. This is de Segonzac’s first solo exhibition in New York City.
ChairBodies explores the artist’s own changed body and identity through a disabled lens, investigating what it feels like to be reliant on a mobility aid. De Segonzac’s self-portraits blur the line between body and wheelchair, alluding to the many transformations and versions of the self enabled by this union. Natural change is an inevitable characteristic of time passing, but what happens when change is sudden, producing an altogether new experience of reality that alters an internal/external dialogue?
Rejecting the notion that a paralyzed body is a stagnant one, de Segonzac reveals a body constantly in motion. She constructs her images through choreography and gesture. Whether in the studio or out in nature, she incorporates sculptural elements and materials such as rope, fabric and light for her body and chair to engage with. While most of her photographs are either in color or black and white, ChairBodies introduces cyanotypes to her art practice.
At the center of the gallery lies Rope (2025), a hand woven garment that appears in de Segonzac’s largest exhibited photograph, Rope (Tethered) (2025). This work is a result of her longing to be reconnected with nature, which is so often inaccessible as a wheelchair user. Missing the feeling of the ground pulsing beneath her feet, she adorns the rope in the woods with long strands extending out around her, anchoring her to the earth.
ChairBodies reveals de Segonzac’s ongoing search for a sense of belonging in a familiar world that she must now, as a disabled woman, access in completely different ways. By examining her new silhouette and presenting it in its many forms, de Segonzac creates moments of rebirth. Placing herself in the frame is a way of marking the work, assuring us—and herself—that she is still here. Attending closely to and redefining what she sees, these images act as mirrors of her own experiences and bring to light questions of what it means to have a body and ultimately what it means to be human.
Natalie de Segonzac is a New York City based artist whose practice incorporates photography, video and sculpture. Her self-portraits confront the notion of what it can look and feel like to exist in a world often not built with disabled bodies in mind. In 2023 she had her first solo exhibition, EVIDENCE, at ArtYard in Frenchtown, NJ, which explored the narrative of a changing body. She has received residencies at The Constance Saltonstall Foundation for the Arts and at ArtYard. She received her BFA in Photography from the School of Visual Arts.
View Natalie de Segonzac’s artist page here.
View the Press Release here.